Although abstract in nature, Adam Bracey's oil paintings makes direct reference to real locations, featuring structural references juxtaposed against areas of outstanding natural beauty.

In his painterly responses to the coastal landscape and the novel, Ashley Hanson’s distinctive, tactile canvases explore the frisson between information and imagination, between abstraction and figuration, and between the cerebral, the emotional and the visual. Above all is his excitement for placing colour against colour.

Barbara Burns explores the dramatic landscapes of the West Coast of Ireland, Snowdonia and Cornwall to garner an intuitive response in the studio. Working in oil, glazing allows her to build her paintings overs several months, selecting and eliminating forms and textures.

The territory that Carolyn Bew explores in her work is that thin yet rich veneer between the domestic and pantomime. Working in oil and in print, she explores who we are and our difficult attitudes to the animal world so often seen as something apart.

Using encaustic on board, David Hayward’s art is a painterly contemplation on the marginality of shorelines; with their horizontal delineations of air, water and land.

Influenced by decorative frescos, Dawn Stacey paints with an altered perspective, placing flora, fauna and figures into mysterious narratives that play-out in fantasy landscape scenes.

Finlay Coupar’s mixed-media, linear images (horizontal paths and vertical totems) showcase the rhythms and sense of movement he perceived in discarded debris.

Inspired by a moment in time, a song, poem or myth, Helen Phoenix’s paintings explore the personalities of the birds who are our companions in life.

Jane Skingley captures still life compositions in oil with rich texture and energetic mark making, which she believes offers more beauty to the viewer than meticulous painting.

Jonathan Smith’s oil paintings are inspired from time spent on the West coast of the Isle of Lewis in the Hebrides, walking on the bays and headlands where the croftlands meet the Atlantic.

Working in a range of mediums, Jules Allan’s abstract paintings consider the mortality, sexuality and vulnerability of the human body. Void of figurative forms, her pieces are fragile or tough, blurred, separate or merged. Each painting establishes its own identity.

Kate Richardson’s oil paintings are a unique expression of freedom and boundless imagination. With a dynamic portfolio featuring dreamlike landscapes, intuitive abstracts and ghostly figures.

Kellie Miller’s oil paintings depict abstracted, tactile images of nature and scenes that have inspired her; offering messages of hope, self-discovery and optimism.

Marc Gooderham captures the cities’ decaying and unique architecture; finding beauty in neglected buildings as the living city continues to evolve around them.

Marco Minozzi strives to create a representation of an almost futuristic urban landscape, painting in a palette of monochromatic and earthy tones to lend an industrial atmosphere.

Moira Hazel uses bold colours, patterns and textures. Places visited, the light, colour, atmosphere, plant forms, landscape, rock patterns, the sea, fabrics, children's art all add to the mix. She finds inspiration everywhere.

Influenced by medieval tapestries, William Morris, and Renaissance portraiture, Paulina X. Miranda’s oil paintings are timeless, beautiful and evocative.

With an interest in urban and rural landscapes, and a background in printmaking, Rachel William’s work crosses disciplines with transferred and repetitive marks, which she imprints onto the surface using a variety of found objects.

Sam Peacock works into steel with a variety of materials including coffee, paraffin wax and industrial oil paint; seeking a deeper meaning between the materials used and the landscapes he paints.

Concerned with the relationship and meaning of objects, both as still life and as narrative, Steve Fricker’s paintings are a surreal dreamscape of playful scenes.