The works of Branka Vrhovski-Stanton

John Houston's book The Abstract Vessel, published in 1991, awakened an interest in non-functional container styles and revolutionised the work of ceramicists. The discovery of this book brought an acceptance that ceramics didn't have to justify a purpose. It could just be. Be seen, be beautiful, be there. It commanded the attention as any painting could. It is the main event, not an accessory. Subsequently, this art form has grown in confidence and does not apologise for being a form of expression.

Croatian-born Branka Vrhovski-Stanton's ceramic vessels grab our attention. The execution of her pieces harks back to the Palaeolithic era, where the earliest evidence of pottery production was unearthed. Unique pieces are created by hand, either built by coils or from slabs of clay. The nature of coiling her vessels and the predominately dry, porous surfaces pay homage to ancient traditional techniques.

Yet, combining more modern approaches, she is inspired by abstract expressionism. Painting has a strong presence in her ceramics. Branka's vessels form a canvas for spontaneous abstract and semi-abstract marks and shapes, and as such, she prefers to work on larger-scale pieces that allow greater freedom for brushwork. The painting on their surface is created with slips and engobes, chosen for their anti-reflective qualities and resemblance to wall paintings, while on smaller shapes, these are often partially or wholly covered by the lightly coloured transparent glaze or two.

Branka says–

I believe ceramics is the most primary and yet the most abstract of all art forms. It is primary because it holds empty space surrounded by a container, which is an intangible object. Yet simultaneously, it symbolises our existence here and now.

Branka studied comparative literature and philosophy before changing direction and exploring her passion for ceramics by gaining a postgraduate diploma from Goldsmiths University, London. She is a celebrated artist, and her works are held in international private collections.